New Order - True Faith

The next installment comes from one of my other favourite bands, New Order. New Order were formed from the ashes of Joy Division. After the suicide of Ian Curtis, the surviving members of Bernard Sumner, Peter Hook and Stephen Morris decided they would carry on. Without a front man they took it in turns to see who could sing. As it turns out none of them could, but Bernard drew the short straw.

My choice this week is my all-time favourite single - True Faith. This song saw them work with OMD and Pet Shop Boys producer Stephen Hague for the first time and was recorded in a ten day session along with equally good b-side "1963". Upon its release it was available as two separate 12" singles, a 7" single and CD single and contained a plethora of remixes. Some good, some bad but none really improved on the original version of the song. Typical of New Order releases, the band name, song title and picture of the band were absent from the artwork. The title of the song, like many other New Order releases, was absent from the lyrics.

The song is pretty straightforward, with a great drum rhythm courtesy of Stephen Morris experimenting with machines and live drums together, a synthesized bass line and, thanks to Hooky playing the bass as if it were a lead guitar, some fantastic live bass runs.

Which version is best? There's only one to go for - the original six minute version is by far the best version. It was remixed in 1994 for the best of compilation entitled "? - The Best of New Order", but looses some of the sound of the original version. The radio edit versions aren't worth bothering with and to be honest nor are the remixes. Until 1998, the live rendition of the song would be pretty faithful to the original. However, post 1998 an arrangement based on a remix was used as the template for the live performance to varying degrees of success. New Order were patchy live band, some nights would be bloody awful and some they were on fire. One thing you could be sure of though, Hooky would always put on a good show with the bass.

To promote the release of the single, a surreal video was produced. Starting off with strangely dressed dancers slapping each other on the face to the rhythm of the song, the dancing gets more and more weird. Add in a woman swaying in an upside down boxer's bag whilst signing the lyrics to the song. Click here to watch the video.

Why do I like it so much? I can't really put a finger on it, it's just one of those songs that sounds good every time you play it, no matter what you play it on. It's great to play along to on the bass guitar. I love the video, it's just brilliant. It also reminds me of past good times with mates.

The Lightning Seeds - Change

Right, for the second installment of Song of the Week. This week is the first of many Lightning Seeds songs that are likely to feature.

The Lightning Seeds started out in the late 1980s as a side project for Ian Broudie - a respected record producer and ex-band member for legendary Liverpool punk band Big In Japan, a band more famed not for being successful but for spawning band members that would later have a successful career (Holly Johnson, Bill Drummond et al). Initially a low-key affair it allowed Broudie to make some of his own music and continue to help and produce other acts.

The debut single was Pure, a gem of a song that went to number 16 in the charts. Two albums - Cloudcuckooland and Sense - and a trio of top 50 hits - The Life of Riley, Sense and Lucky You all preceded the fabulous hit single Change.

Change was released in January 1995 and was the second single released from Jollification. The album and this single would prove to be the turning point for the band. Firstly it would provide their biggest chart hit to date reaching number 13, but also it could no longer be classed as a one-man's-side project. Signed to a new label which took the band seriously, they were now a serious proposition and with a touring line-up put together, Ian Broudie would now focus full time on the Lightning Seeds. Touring the US and a new outlook to making videos resulted in the glossy and well produced promotional video for Change. The packaging also signified better promotion and marketing. It was released in four formats - 7" vinyl, cassette and two CD singles - with unique artwork. Now all the artwork surrounding Jollification-era singles had strawberries of some kind, and this was probably the best example complete with Groucho Marx disguises. The digi-pak had a pull-out section where you could "Change" (geddit???) the strawberry into a disguised one. This is rocket science stuff, this you know!

This was the song that got me into the band in the first place. I'd seen the video on things like the Chart Show and also had a Top Gear compilation where this little gem was hidden in amongst some ace rock songs. This is the song I remember playing the most and wanted to know more about the band that did it. Turns out they made songs I already knew - The Life of Riley and Sense. I found a copy of Jollification in my local independent record shop, which is alas, no more. I've never really looked back, as Jollification to date remains my firm favourite album of all time. If you don't own it, why not? You really, really should.

There are a couple of versions of the song, the album version and the single edit. Don't bother with the single version as it cuts out a portion of the guitar break and a verse. What remains on both versions is the driving guitar through the song with a distinctive lead guitar sound. A light, bouncy bass line added to quite effective synthesized drums, this makes up a fantastic pop song. Naturally, though, the best version of the song is when played live. After finally seeing them live after a fifteen year wait, I got to see them in April of this year, and the live performance puts a whole new energy into the song.

Click here to watch the promo video for Change